This came out mid January and I couldn’t wait another week to tell you guys about this book!
Don’t forget to check out my other blog – Finder of Lost Things! This week you learn why Phoebe learned as a child to loathe sheds…
Behold A Fair Woman – Francis Duncan
It’s been a while, five years in fact since I used my Christie rating system, but I think its applicable to Francis Duncan’s Mordecai Euripedes Tremaine mystery series.
Now let me remind you of the three categories…
My highest accolade, Shrimp Level. Which hearkens back to a wonderful dinner in which I ate shrimp sauteed with a delicate steak in butter. Seriously, years later I can still picture the plate and almost remember the taste! Christie’s Murder of Roger Ackroyd, A Murder Is Announced, Crooked House and Endless Night all fall within the Shrimp category (and many others besides).
Still superior, but not achieving the dizzy heights of Shrimp is the Potroast Level. Lovely warm and filling, I’ve never eaten a bad bite of this comfort food. For Christie, this category helps to level out the towering heights and bottom scraping lows of her long career. Peril At End House, Sleeping Murder, The Man In The Brown Suit and Cards On The Table fall into this category for me.
Then there’s the Meringue Level. Which are all fluff and no substances an ultimately disappointing type of cookie. I do not care for meringue in any form, whether baked as a cookie or topping a pie. This level is where I place Christie’s Passenger To Frankfurt, Destination Unknown and N or M.
Now, why am I speaking of Christie during a review of an entirely different author?
(Besides the fact I’ve been devouring some of Christie’s works again?)
Because I feel Duncan’s books can stand toe to toe against any of the books in the Potroast Level (one or two even hovering just under the bottom line of the shrimp level) of the Christie canon! Francis Duncan’s books are all an excellent read.
Each of the five Mordecai mysteries fall within the purview of the classic British mystery Christie helped to evolve. A closed cast, multiple suspects who often possess “unshakable” alibies and each one interestingly enough occurs on a holiday of one kind or another. One fascinating feature of Duncan’s mysteries are the motives. Often stemming from the same emotion, the author is able to show the nuances found within that single emotion and how each may or may not lead to murder. Which I find fascinating to read.
Now onto Behold A Fair Woman.
I am bereft, as this is the final Mordecai Euripidies Tremaine mystery! Francis penned five in total, and I relished reading each one. I cannot recommend them highly enough! Perhaps Source Books will discover other titles, possibly written under another pseudonym, and republish them as well? Please?
But in any case back to Behold A Fair Woman – where Mordecai is taking a holiday away from his hobby of murder. The sorrow left in his heart after a successful investigation always weighs on him, despite the succor his other secret passion, romantic tales, brings him.
But as they say, the best-laid plans of mice and men…Soon Mordecai is embroiled in a murder investigation when he discovers the body of a local hotel owner in the water tank of a neighboring tomato grower.
What I found most astonishing in this installment was how fair Duncan plays with his reader and yet is still able to pull off a bait and switch in the end – which makes complete sense with the evidence compiled by our intrepid amateur sleuth! It has been a very long time since I’ve read anything which pulled this feat off so well, perhaps dating all the way back to my Christie reading.
Which is why I pulled out the Christie rating system because I felt the classic nature of Duncan’s mysteries, deserved to be tallied against The preeminent classic British mystery writer!
I would recommend Behold A Fair Woman, or any of his other titles, to anyone looking for a lively classic mystery!